Transitioning into coding wasn't solely about secrecy, although initially, that was my primary focus. It became a quest for metonymic signifiers and metaphors …

At the time, I would say it was a matter of life and death to be allowed to keep writing, and dotting away my seemingly idle conundrums, which on paper didn’t become more decipherable. Yet, at least to me, they conveyed a state of embodied mind …

I call it love-letter. Love is both a feeling and an action - some say that love doesn’t exist without being actioned upon, that love only shows itself through action …

As a kid and young person, I was what one could call unlucky or just really uncoordinated. It could be in all situations, but especially …

The term Techne, in its ancient Greek philosophical context, emphasizes a broader notion of craftsmanship, artistry, and skill that encompasses not only technical proficiency but also the embodiment of knowledge …

When I began the serie of INK GRIDS, they were a continuation of several techniques, materials and reference points…

Once upon a time, on a weekend not too long ago, I found myself in the clutches of a formidable cold, one from which I am still convalescing. This bodily affliction, as I have come to realize, often arrives like an unexpected cherry atop life's cake. But let me

This floor piece is exploring the tradition of painting and the history of perspective using the tool of map-making. It has been…

Text about the installation - used as a speech at the opening of the exhibition ID Entity 2017 ©️ Camilla Howalt

The text discusses using fragments in storytelling, inspired by literary, artistic, practical, and educational reasons. Literary fragments reflect life's complexity, artistic fragments allow for multiple interpretations, sharing on social media requires bite-sized content, and it's linked to the Japanese technique Kintsugoroi, repairing pottery with gold paste.

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